Wednesday, January 27, 2016
Muriel Eulich, Image
CLEARLY HUMAN II:
MEANING, MYSTERY AND MASTERY OF THE HUMAN FIGURE
OPENS
JANUARY 22, ST. LOUIS ARTISTS’ GUILD
JANUARY
30, 6-9PM FREE RECEPTION WITH AWARDS,
130th BIRTHDAY CELEBRATION
KICK-OFF, ST. LOUIS ARTISTS’ GUILD
“I believe that figurative art has a
strong role in creating social change. Therefore, figurative art has played a
big role in contemporary art today,” explains Victor Wang, juror for Clearly
Human II.
Clearly Human II, St. Louis Artists’ Guild’s new
exhibition, explores the human form in all media. The most enduring themes in
the visual arts, the human form has been drawn, painted and carved since
ancient times and represented in many different ways. This juried exhibit opens
January 22. A FREE Reception is planned January 30,
6 – 9pm, to recognize exhibiting artists, announce awards, and kick off the
Artists’ Guild’s 130th birthday
celebration. There will be
figure drawing demonstrations and more. This exhibit is on display through
February 27, 2016.
“I selected works which engage my curiosity
with an interesting personal idea,” describes Wang. “I’m not only looking for
the mystery of the artwork but the mastery of the surface - how the artist can
carry on the figurative tradition skill with the unique interpretation of
dialogue.”
About the Juror: Victor
Wang’s paintings use the human figure as a vehicle to convey the human
experience with the emotional tension and psychological drama of life’s turning
points. In addition to his paintings’ surface quality, he often uses
sunflowers, a reference to his boyhood in China during the Cultural Revolution,
as a metaphor to connote his background and emotional stage. Victor
Wang is an artist, author, and a Professor in Painting and Drawing,
Department of Fine Arts, Fontbonne University in St. Louis.
Exhibit Related Programs: Figurative drawing classes and workshops,
a Friday night draw-in, and a gallery artist talk have been planned to coincide
with this exhibit. Please view our class schedule online at http://www.stlouisartistsguild.org/new/classes-workshops.
Gallery hours: 10am
– 6pm Tues. – Fri. 10am – 4pm. Sat. Closed Sun., Mon., holidays.
St. Louis Artists' Guild
12 N. Jackson Ave. at Forsyth Blvd
63105
314-727-6266
Tuesday, January 26, 2016
Reese Gallery: Friday, 5 February 2016
Keeping Time: Measuring the Immeasurable
with artists Elysia Mann
and Joseph Pintz
Opening Reception: Friday, February 5th, 2016 from 6:00-9:00 pm
Celebrated Lebanese
American essayist, mystical poet and novelist, Kahlil Gibran often describes
our attempt to measure the immeasurable as a stalling point in the human
condition. He writes in his poem On Time, "You would measure time
the measureless and immeasurable....But if in your thought you must measure
time into seasons, let each season encircle all the other seasons."
Exhibition run: 2.5.16 to
3.5.16
Eours: Wed & Sat 1-4pm
or please call for an appointment
Reese Gallery
3410 Wisconsin Avenue
St. Louis | MO | 63118
314.954.7638
Monday, January 25, 2016
Bruno David Gallery: Friday, 5 February 2016

BARRY ANDERSON: Fragments of Space [The Room]
Media Arts Room
February 5 – March 12, 2016
Opening Reception: Friday, February 5, 2016 6 to 9 pm
Jill Downen’s exhibition, As If You Are Here, activates the volume of the main gallery through a series of miniature rooms situated inside of walls and viewed through small windows. The intimate interiors flow from an imagined place of diversity from the humble to the sacred; the industrial to the refined. Downen’s shaping of materials such as plaster, concrete, gold leaf and glass afford each room its haptic presence; surfaces and forms seem to defy their scale, illuminated by light and shadow. As If You Are Here invites viewers to unlock a desire to explore and discover conditions that shelter the human imagination.
In the Media Arts Room, the gallery presents a video work by Kansas City-based video artist Barry Anderson. This is the artist’s second exhibition with the gallery. Fragments of Space [The Room] is composed of two video animations, one projected and one on a small monitor, depicting an endless journey through an empty minimalist space that becomes part funhouse ride and part existential crisis.
Gallery Hours: Wednesday through Saturday 10 am – 5 pm & by appointment
Bruno David Gallery
3721 Washington Blvd.
Saint Louis, MO 63108
1.314.531.3030
info@brunodavidgallery.com
WWW.BRUNODAVIDGALLERY.COM
Tuesday, January 19, 2016
Norton's Fine Art: Saturday, 13 February 2016
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May Gallery: Friday, 22 January 2016
Annual Photography Faculty Exhibition

© T. Ann Tolin |
22 January - 19 February 2016
Opening Reception Friday, 22 January, 5-7 pm
Francesco Arese Visconti, Robin Assner-Alvey, Tom Barkman, Bill Barrett, Tony Carosella, Dan Dreyfus, Christine Giancola, Phil Grey, Thomas Groves, David Hanlon, Greg Landrum, Holger Lang, Sean Leahy, Dominique Macaire, David Moore, Caroline Philippone, Jennifer Silverberg, Kristian Skeie, Susan Hacker Stang, T. Ann Tolin, Matt Weber
(Mr. Arese Visconti and Mr. Skeie teach at Webster University Geneva; Mr. Grey teaches at Regents University, London; Mr. Groves teaches at Webster University Cha'Am; Mr. Lang teaches at Webster University Vienna; Mr. Leahy teacher at Webster University Leiden.)
and in the Small Wall Gallery, Ryan Duffy: Floral Figure
The May Gallery is located on the second floor, west wing, of the Sverdrup Building at 8300 Big Bend Boulevard, Webster Groves MO 63119. Hours are Monday-Friday, 9:00 am-9:00 pm; Saturday-Sunday, noon-5:00 pm. May Gallery events are free and open to the public. Please join us
Bonsack Gallery: Friday, 12 February 2016
“Aquilegia/Columbine: Clouded By,” relief monoprint, diptych 15 x 23 inches, 2015
]
John
Burroughs wrote, “I go to nature to be soothed and healed, and to have my
senses put in order.” The Bonsack Gallery at the school named for
the poet/naturalist will feature “Planting(s),” an exhibit of nature prints by
Sharron Pollack, from February 12 through April 6. All are invited to an
opening reception from 5:30 to 7:30 pm, Friday, February 12.
“Planting(s)”
speaks to Pollack’s profound interest in and connection to plants – their
texture, structure and growth patterns. Rooted in intense observation and
unique visualization, her recent work presents flowers, leaves and seedpods in
evocative ways that transcend the familiar.
Pollack uses intaglio, relief and digital printing processes alongside the tradition of 19th-century nature printing to create metaphors about people, communities and situations. She uses plants as cultural signifiers of happiness as well as lamentations for the fallen.
Pollack uses intaglio, relief and digital printing processes alongside the tradition of 19th-century nature printing to create metaphors about people, communities and situations. She uses plants as cultural signifiers of happiness as well as lamentations for the fallen.
Regular gallery hours are 8 am to 5 pm, weekdays.
The Bonsack Gallery
on the campus of John Burroughs School
755
South Price Road
Ladue, MO
The Dark Room: Friday, 5 February 2016
“SKIN” by
Krista Valdez, our next photography exhibition, opens in conjunction with First
Fridays in Grand Center on February 5th. The
reception will last from 6-9pm and gives patrons a chance to meet & mingle
with the photographer & curator, Jason Grey. SKIN will run
through the end of March.
The subject of
personal identity in human beings has never before been raised on such a
universal level as it is in today’s world. “Identity” is a person’s
brand; it is the singular tool, which expresses both promotion and
self-reflection. In sheer availability, the scope of that expression is
larger and further reaching than ever. With social media, we are
encouraged to indulge in self-obsession, and led to believe that, the more we
do it, the closer we get to the truths of our being. This personal pursuit,
however, is also a public spectacle, and so those who perform it most
interestingly are generally the ones rewarded with some form of closer study on
a massive scale; the results can be positive or negative. In other words,
those who understand best how to correlate the technology available with the
attention they receive, or those who are most unabashed in their public
performances, are the ones most likely to move their “brand of identity” onto
broader platforms of promotion. However, truly achieving the
self-reflective aspect of one’s very publicized identity can be a trickier
struggle, and one that seldom few, if any, might actually achieve.
For her series SKIN, Krista Valdez seeks not the self-referential spotlight that motivates
most actors on the social media stage, but rather a true peeling-back of the
layers. As an introspective woman in a culture that sexualizes or
asexualizes everything feminine, Valdez takes the extreme risk to lay it all
bare- her body, her emotions, her desires. But for her to assess and
define, not for others. She is not running away; she is confronting the
issue of “who is Krista really versus who Krista has been molded to be?”
What does the true self look like? It is worth also noting that the
catalyst for this exploration is pain. The artist has lost
something/someone, and thereby been pushed to discover what of herself remains.
"The process of discovering my skin was an
extension of a two-year sculptural examination of past experiences that
influenced the choice I made to suppress my inner self. SKIN became an
understanding of my vulnerabilities in their rawest form; pure, unfiltered
expositions of my thoughts and past situations that manipulated my social
abilities. Simultaneously giving power to my previously muted emotions. By
elevating my desires, fears, inadequacies, and anxieties as formal
introductions to my identity, I was able to separate experience and visceral
reaction."
- Krista
Valdez
615 N. Grand Blvd.
St. Louis, MO 63103
314-531-3416
Monday, January 18, 2016
Kemper Art Museum: Friday, 29 January 2016
Spring Exhibitions
Open January 29
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7-9p public
reception
Barney A. Ebsworth
Gallery
Teaching
Gallery
Also on view:
Garen Gallery
Join us for the
member preview by becoming a member. Visit kemperartmuseum.wustl.edu/support
to join.
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Friday, January 15, 2016
Clayton Fine Art Gallery: Friday, 15 January 2016
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Saturday, January 09, 2016
Grafica Fine Art: Friday, 11 March 2016
Allen Kriegshauser
Adventures in Color: Landscapes, Figures and Florals
will open at Grafica Fine Art on Friday, March 11 with an opening reception from 6 to 9 pm. When you look at Allen’s artwork, the first thing that you notice is the clarity his colors – they are “pure”. The show will be open through April 8.
Grafica Fine Art & Custom Framing
7884 Big Bend Blvd.
Webster Groves, MO 63119
(314) 961-4020
www.graficafinearts.com
Friday, January 08, 2016
Art St. Louis: Saturday, 16 January 2016
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Philip Slein: Friday, 29 January 2016
Gabriele Evertz, Intensification (Domicile), 2014, Acrylic on canvas over panel, 60 x 60 inches
PHILIP SLEIN GALLERY + MINUS SPACE = COLOR
Reception: Friday, January 29th, 5-8 pm runs through March 12th
For over a decade the visionary gallery Minus Space, based in Brooklyn, has been garnering the attention of the international art scene with its presentation of reductive abstract art. The Philip Slein Gallery is proud to present COLOR, an exhibition of the work of three painters from Minus Space who utilize color not only in the formalism of their work, but more deeply to create intensities of mood and emotion.
GABRIELE EVERTZ writes of her work, "Color is a force of energy. It becomes visible when it strikes a surface. Then it can be measured and named. The visible is a living sensation where seeing, thinking and feeling converge."
ROBERT SWAIN writes of his work,"Color is a form of energy...that stimulates perceptual processes and is instrumental in conveying emotions."
SANFORD WURMFELD is a scholar of color relationships and an exacting technician in the execution of his paintings, yet he summarizes his work with the mantra, "There should be soul in every painting, no matter what you do."
All three of these painters share a passion for color, for geometry, and for precision, but the strength of the work is in the emotion their works create. It is this strength that is, in the end, the true focus of this exhibition.
Also showing in the Project Space is VANITAS, an exhibition of work by MATTHEW DELEGET, founder and director of Minus Space Gallery. Matthew writes regarding the Vanitas paintings,“For this exhibition, I am presenting a suite of new monochrome paintings made of enamel spray paint on canvas and highly decorative frames. The works fuse painting and its formal presentation into a single visual experience and examine perceived issues of taste and authority within the theater of an exhibition space. These works were specifically informed by Dutch vanitas/still life painting of the 16th-17th centuries, Piet Mondrian’s neoplastic paintings from the 1920s-1940s, and the Radical Painting Group active in NYC during the 1970s-1980s.”
Hours: Tues.-Sat. 10am-5pm
The Philip Slein Gallery
314.361.2617
4735 McPherson Ave.
Central West End
Duane Reed: Friday, 29 January 2016
BARRY LEIBMAN: Imaginary Gardens, A Collection of Recent Works
January 29th through March 5th
Opening Reception Friday, January 29th from 5-8 p.m.
Leibman’s images act as a visual translation from the language of music or written word, evoking the synesthetic qualities existent within the work. The subject matter of his paintings includes passages from novels and musical compositions.“These current paintings continue my on-going interest in musicians and composers. Previous solo exhibitions have concentrated on Mozart, Erik Satie, Hand-Made American Music, Charlie Parker, and Gustav Mahler. These new paintings depict “imaginary gardens” of various composers ranging from Beethoven to Ornette Coleman, Thelonious Monk to Vivaldi, Dmitri Shostakovich to John Cage. The “garden” elements are sometimes abstracted, sometimes observed from above, sometimes at night, sometimes only as a single element. They are, after all, “imaginary,” not representations of real gardens. I do think, however, that the music and the personality of each composer can be discerned in the paintings.” - Barry Leibman
Gallery Hours: Tuesday through Saturday 10 - 5pm.
DUANE REED GALLERY
4729 McPHERSON AVE.
ST. LOUIS, MO 63108
WWW.DUANEREEDGALLERY.COM
info@duanereedgallery.com
314.361.4100
January 29th through March 5th
Opening Reception Friday, January 29th from 5-8 p.m.
Leibman’s images act as a visual translation from the language of music or written word, evoking the synesthetic qualities existent within the work. The subject matter of his paintings includes passages from novels and musical compositions.“These current paintings continue my on-going interest in musicians and composers. Previous solo exhibitions have concentrated on Mozart, Erik Satie, Hand-Made American Music, Charlie Parker, and Gustav Mahler. These new paintings depict “imaginary gardens” of various composers ranging from Beethoven to Ornette Coleman, Thelonious Monk to Vivaldi, Dmitri Shostakovich to John Cage. The “garden” elements are sometimes abstracted, sometimes observed from above, sometimes at night, sometimes only as a single element. They are, after all, “imaginary,” not representations of real gardens. I do think, however, that the music and the personality of each composer can be discerned in the paintings.” - Barry Leibman
Gallery Hours: Tuesday through Saturday 10 - 5pm.
DUANE REED GALLERY
4729 McPHERSON AVE.
ST. LOUIS, MO 63108
WWW.DUANEREEDGALLERY.COM
info@duanereedgallery.com
314.361.4100
Thursday, January 07, 2016
Green Door art gallery: Friday, 22 January 2016
Green
Door art gallery
21 N. Gore
Old Webster Groves
(314)
402-1959
Tuesday, January 05, 2016
CAM: Friday, 15 January 2016
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