SLU Museum of Art: Friday, 28 June 2013
James M. Smith: Unscripted
June 28 - Aug. 25
James M. Smith: Unscripted begins on Friday, June 28, with an opening reception from 5:30 to 8 p.m.
The Unscripted exhibition includes drawings, paintings and constructions based on myths that Smith creates, including motifs that are part of his entire oeuvre. Smith’s work is influenced by his lifelong love of cultural anthropology and desert environments. Aside from the obvious effort of making both paintings and three-dimensional forms, he follows a tradition of object-making that is present in the history of primitive and modern cultures.
Smith's sculptural works are a special, honest statement about our relationship to the land and our ancestors. “The work is different, fresh and communicates a palpable integrity,” noted Paul Klein of Art Letter. Ivy Cooper of The St. Louis Beacon writes, “These works are breathtaking, somehow heartbreaking, and they will forever alter your notions of drawing in art."
Smith’s background as both print-maker and painter is evident in his thinking and his process. His art requires the viewer to participate in understanding the ways in which he builds his work; seeing that all parts of every piece are composed. If willing, one can gain entry into a wonderful visual and cognitive domain.
The Saint Louis University Museum of Art
sluma.slu.edu
314.977.2666
June 28 - Aug. 25
James M. Smith: Unscripted begins on Friday, June 28, with an opening reception from 5:30 to 8 p.m.
The Unscripted exhibition includes drawings, paintings and constructions based on myths that Smith creates, including motifs that are part of his entire oeuvre. Smith’s work is influenced by his lifelong love of cultural anthropology and desert environments. Aside from the obvious effort of making both paintings and three-dimensional forms, he follows a tradition of object-making that is present in the history of primitive and modern cultures.
Smith's sculptural works are a special, honest statement about our relationship to the land and our ancestors. “The work is different, fresh and communicates a palpable integrity,” noted Paul Klein of Art Letter. Ivy Cooper of The St. Louis Beacon writes, “These works are breathtaking, somehow heartbreaking, and they will forever alter your notions of drawing in art."
Smith’s background as both print-maker and painter is evident in his thinking and his process. His art requires the viewer to participate in understanding the ways in which he builds his work; seeing that all parts of every piece are composed. If willing, one can gain entry into a wonderful visual and cognitive domain.
The Saint Louis University Museum of Art
sluma.slu.edu
314.977.2666
posted by Bill Barrett at 11:26 AM
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